Maumelle ar homes for rent

So a little bit of background, I'm subscribed to MrBeast only recently, but I have enjoyed his videos since he was at 60k subs. So you can imagine I've seen a lot of videos. After watching the latest MrBeast videos, I've noticed that Jimmy hasn't really done a video involving teams of 2 in a while, So I had an idea to mix things up. 50 teams of 2 = 100 total people.
Each team gets their own "Treehouse" with some windows to decorate and make them feel comfy and at home. Basically just a modular room. Jimmy mentioned in the latest video that the people would make their own decorations on the wall using deodorant or chapstick, so that could make an opportunity for a "Coolest Fort Award." In each of the rooms, there is a mailbox that receives instructions for challenges. The challenges would be things you can only do as a team. All of this would repeat daily until 1 team is left, but at the end of the video, there's a twist. "The winning team has to chose who the winner is" They have to choose who amongst themselves is the winner, but if they can't come to an agreement, then they both win.
Just a rough idea I had for a possible MrBeast Challenge :)

AITA for not wanting to let my sister wear my clothes or sleep in my bed?
If I wanted anything as a teenager, I had to buy it myself. I got a job so that I could have money to do things. One of these things was buy myself clothes, and a full size mattress so I didn’t have to sleep in a twin anymore.
I moved to college, and as you probably know, dorm rooms do not have much storage. So, a lot of my nicer clothes stayed at home.
One day, I get a text asking if my ten year old sister can take my room and sleep in my bed. As my room is full of my things that are sentimental and she is known to destroy things, I said I wasn’t comfortable with that and wouldn’t have anywhere to put my belongings.
My parents ignored me and allowing her to sleep in my bed and move all of my things, and now I can’t find them. All of my drawers of the dresser I purchased have been cleared out and are filled with her things.
Every time I come home, she is wearing my clothes. I said that if they would ask, I wouldn’t mind her wearing certain things-but some clothes are important to me and with her history of ruining things, I don’t want them damaged. However, after saying this, they have never once asked if she could wear something of mine, yet it seems to be her entire wardrobe now.
I am home for the summer, while she is back sleeping in her bunk bed in the other room. I finally got angry and confronted her today when I was home and saw her wearing an expensive outfit that I bought. I told her I wasn’t okay with her wearing it and my mother jumped on me immediately, saying that I shouldn’t have left it here, “shoved in a closet,” if I didn’t want her to wear it. I was hung up nicely, so I don’t understand that comment.
The other day, my younger sister told me that my mother said “Older Sister can wear my clothes, and if OP’s not here why does it matter? OP will never know.”
I never got nice clothes as a kid. It was all hand me downs, never name brand. I’ve worked hard to be able to buy nice things for myself and they’re being given away to someone who has a bed and clothes of her own.
If I had somewhere to put my things, I would do that. I was screamed at today and told that I’m selfish for not wanting her to wear my things and sleep in my bed. I’ve found food wrappers and crumbs and dirt every time she sleeps there. So, AITA for wanting her to stay away from my things?
Tldr: AITA for not wanting my younger sister to wear my clothes and sleep in the bed I bought while I’m at college? She doesn’t respect my belongings and leaves crumbs and trash in my bed but my mother says I’m selfish for not wanting her to use my things.

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Idk how this happened, but my raises coincide with my renewal of my lease,same time each year.They literally take my raise every year because rent increases.On top of everything from overpriced M&M's etc.to everything having a "convenience fee" for every bill I have to pay.I make a good wage (or at least I thought I did!) I feel I have made $14/hrs for the last four years....am I the only one that feels this way? And does anyone have any advice what we can do to stop this greed,thank for reading this!

420 friendly 40 year old couple looking for a roommate to split a house together. It's a decent size, cozy farm house and we'd each have our own separate areas. Rent would be $850/month. The house uses Wallingford Electric and is extremely cheap. We have well and septic. Gas for cooking. We'd share living room, kitchen (lots of cabinets and countertop space), basement, and laundry room. You'd have your own bathroom and three rooms. We have no neighbors and besides the road, it's peaceful here. The landlord happens to be the best one I had since moving out at 18. You would need to meet him and get his approval as well.
We are chill, laid back, and very tolerant to all people. We have an older pup and a gecko. We welcome any pets as long as they mesh with our family fine. (Landlord will probably add security for a pet).
Feel free to comment here or DM. We look forward to hearing from you!

Timestamp: https://imgur.com/a/vx1Wf3n

Optics Package

Prices listed in bullet points are for reference only from online vendors, not parting at this time

• Vortex Gen III Razor 1-10 LPVO FFP EBR-9 BDC MOA Reticle (virtually new) - ~$2500 value new
  
• Scalarworks LEAP/09 34mm 1.93 (virtually new) - ~$439 value new
  
• Vortex Defender Flip Caps - lists for ~$48 value new
  
• Wager Machine Works Battery Cap for Razor LPVO - ~$50 value new
  
• Vortex SwitchView SV-5 Throw Lever
  
• Original Packaging for all serialized items included
  

Total value of ~$3050 + shipping, yours for $2450 shipped insured (~$600 off purchased new online)

Rubber City Armory Titanium BCG w/ Adjustable Gas Key

• Rubber City Armory Titanium AR-15 BCG w/ Adjustable Gas Key (lightly used; finish looks virtually new on carrier, normal wear on gas key, few hundred rounds) + brand new unused bolt and firing ping

Value of $390 new, yours for $290 $275 shipped

GQ Armory Handguard Forged Carbon Fiber 6″

• GQ Armory Handguard Forged Carbon Fiber 6″ AR-15 + titanium screws upgrade (takeoff, 500 rounds) - not available individually, only on the flagship carbon PDW - Sells for $400 without Ti Screws + ship new

Value of $400 new, yours for $390 $290 shipped

Pricing based off the 10" version, equivalent pricing as options and wholesale cost per GQ and not including cost of Ti screws upgrade

The same handguard featured on our Paladin Carbon. Ultra light weight at only 5.15 oz for the entire system. Made from forged carbon fiber mated to a 7075 hardcoat anodized barrel nut. M-LOK attachment points at 3′, 6′, and 9′. Bonded carbon fiber picatinny rail. Our handguard has an ID of 1.78″ and will fit any silencers up to 1.75″ like those from Q, CGS, etc. Forged carbon fiber is extremely strong and durable given its weight, comparable to 6061 aluminum which is what most AR handguards are made of.
FEATURES & SPECS:
– FORGED CARBON FIBER CONSTRUCTION
– FORGED ULTRA LIGHT 7075 ALUMINUM BARREL NUT
– M-LOK ATTACHMENT POINTS
– ANTI-ROTATION SYSTEM
– LENGTH: 6″
– WEIGHT: 5.15 OZ INCLUDING WEIGHT OF BARREL NUT AND SCREWS

Please see my other posts for available items:

• 1100 Lumen BR30 E26 Multicolor LED Bulbs (LIFX) w/ 1x Nightvision IP65 Bulb

All prices are PayPal F&F. Dibs beats PM, send PM within 15 minutes or goes to 2nd dibs.
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• Dead Air Nomad e-Brake
  
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Don't miss my chat this week with Wichit Saiklao, the legendary founder of Chitbeer
Army Colonel, Phd, business founder, home brewer, teacher, and owner of a (technically illegal) brewery Chit has personally spearheaded the growth of Thailands Homebrewing and craft beer markets and is legendary across east Asia.
Join us live for a chat on Wednesday
https://youtu.be/Et1WuZiRYQ8

My aunt was in hospital because she had had heart surgery. I was on my way to go visiting her when her daughter in law called me and told me she was dead and asking me to go home with my grandma.
Later she called again saying it was all a mistake from the hospital workers, my aunt had suffered some complications but she was recovering but since she has a "very common name" they had mistaken her for another woman who had indeed died.
I know it only has been half an hour, but I felt devasted and heartbroken and even know I'm still shocked and nervous. Mistakes happen all the time but, couldn't the hospital stuff be more careful?

Hi, five days ago I had bilateral laparoscopic mesh inguinal hernia repair surgery with a bonus vasectomy, and I want to share as much info about the procedure as I can recall while everything's still sort of fresh. Reading Reddit experiences was very helpful in my preparation. I'm just going to scribble down the basics for now, but I'm happy to edit and respond to any particulars and changes over time...
PRE-SURGERY. I had a routine colonoscopy early this month, and the prep for that was definitely way worse. The day before surgery, I packed my hospital bag for an overnight stay (slippers, chargers, devices, cables, food (unnecessary) and a pillow (glad I had it)) My surgeon called to confirm I wanted the vasectomy and hernia repair on both sides. I got all the last-minute questions answered, too — do I need to show up ready to pay something (no), is there a chance I'll be catheterized to pee (miniscule). Great. My left hernia was more of a weakness than a proper hernia, I wondered if I should wait until it got worse to come back... maybe the mesh and lapro tech will be better in 5 years? Surgeon said no, probably not worth banking on that, so I said sure to bilateral. Then I ate some Thai food and went to bed early.
DAY OF SURGERY (DOS): Left home at 6:30 a.m., got to hospital before 7 a.m., went very quickly through intake, changed into gown, took a painkiller (Novalgin/metamizole, didn't know what that was). Then was wheeled off to a little pre-operating room with anesthesia people. Nice woman asked if I picked out some good dreams. They strapped me down. I don't know what happened after I left that room but I was likely in the O.R. by 7:30 a.m.
About 9:45 a.m. I came to in post-op, lower abdomen had been totally shaved, I had three small bandages and my mouth was dry. They monitored me and within an hour my hospital bed was wheeled up to my room. The room was reserved for two nights, but my surgeon said I'd probably only be there for one. They took my pulse, blood pressure, and temperature again, this was done pretty regularly, every hour or two. So far no pain, I felt pretty good. They wanted me to fill a jug with urine, no problem doing that.
Around noon I ate some potato soup or something and a piece of bread. I drank about a liter of water that afternoon. For dinner I had two pieces of bread, a little soft cheese, and a yoghurt. Lots more water. Pain level was like a 1-2 on the 1-10 scale. More discomfort than anything, because I had like zero muscle power from belly button to hips. It's wild.
Surgeon came, said it was all a success. Left hernia was way worse than expected, so good thing I got it done. "Oh, by the way, don't be alarmed if your testicles swell up and turn blue or purple, totally normal!" Er, okay... He said tomorrow I'll feel like I did 10,000 situps. Anyway, I was cleared to stand up with a nurse. No problem there. I went to the bathroom in my room very slowly a couple times. Nurse cleared me to walk the floor with hydration fluids attached. No pain, was glad to be mobile. Nurse cheered me on, said it was important to move. Next nurse emphasized taking it easy, so no consensus there.
First night, I slept a normal amount of time, but it was in shifts. Maybe three hours on each side, another hour or two in some other position. It was hard getting comfortable, but wasn't painful, just felt like pressure.
This whole time I was only taking half my pain pills and stashing the rest. Turns out they were just metamizole and acetaminophen, but I didn't know that at first.
DOS +1: I was seen by surgeon and discharged by about 8:30 a.m. Took a shower first without any help. I took the bus home so I could stay standing. Sitting in a car would have been hell, let alone getting in and out. Couldn't carry anything at all. Came home and managed to lay down in bed. So far pain still in the 1-3 of 10 range. I had been expecting worse. Getting up and down from a bed was not easy but walking around and eating a little normal random food was not hard.
Twice when taking steps after getting out of bed I experiencing searing pain like 4-6 on the 10 scale. It was momentary, but I had to stop moving and take deep breaths. I attributed that to some kind of gravity settling things.
Ice packs on my abdomen felt GREAT. Again, slept through the night in shifts, moving carefully from side to side to get comfortable.
Took maybe 3-4 Advil this day. My leftover metamizole was awesome, pain totally vanished with that. I took two all day.
DOS +2: Mostly still in bed, a couple sharp stabbing pains again when standing after being in bed. This time 4-5 on the 10 scale, so already less alarming but I was still holding the wall for support for a few seconds. I worked on a computer for a few hours, standing for most of it. Still very weak in the midsection, getting in and out of bed using arms and legs. I was getting freaked out about constipation, only eating liquids, oats, and prunes. Sitting on the toilet didn't feel comfortable. They tell you not to strain, but it wasn't really an option, still no abdominal strength at all. Took 3-4 Advil just to stay ahead of any pain.
DOS +3: A friend was in town from overseas, so I sucked it up and got up and hobbled around town for a few miles. Drank a beer. First bowel movement since day before surgery came mid-afternoon, HUGE relief, after that I was over the hump I think. Went out for dinner. Winced a lot but wasn't really painful beyond a 3 at most. Took 2-3 Advil for the day.
DOS +4: Tried to take it easy. Two Advil all day. Felt one disorienting rush of discomfort but smaller still. Otherwise recovery seemed to be progressing. All new to me.
DOS +5 is today. Definitely still hammered but my midsection can handle motion again, getting in and out of bed quickly. When I put my hands on my belly it feels tender but not alarmingly swollen or damaged. I think I'm healing. Already I feel like I'm exiting the experience, though. I can pick things up from the floor, that wasn't remotely possible two days ago.
And that's my story so far. I hope the numbing details help you sleep. I hadn't stayed in a hospital for my own care since I was born, so I didn't know what to expect. I don't know if I'm still fertile, hopefully not, but I do know as far as the hernia repair I already feel like I'm better held together, even if my lower abdomen is hamburger for the moment. Good luck with whatever you're in for!

Does anyone remember a VHS of nursery/preschool songs 80s or 90s with a song with these lyrics:
Rat tat tat rata tat tat
Someone's building up a place for me
Rat tat tat rata tat tat
Building me a home in heaven
Jesus, building me a home in heaven (repeat)
​
The video had kids hammering with big Fisher-Price hammers and play house.

So I hate carpet, I think it’s dirty and weird, in my country we don’t have it we just use removable rugs (not staples to the ground like carpets) that we are able to wash outside…anyway I’m moving to a colder climate and most homes have carpet!!! If not everywhere at least in the bedrooms and it’s horrifying- even if I get it professionally cleaned I don’t want it. The only solution I’ve thought of so far is to get the carpet cleaned, put plastic wrap over it, then put my own rugs on top of it (Persian silk rugs)….Is there a better alternative??? Thanks!

Friday night I went camping. I've used this spot before, and have never even seen a tick. I knew it was possible but didn't think it was likely.
On Saturday I woke up to a tick on my chest. It stayed there for maybe an hour after I saw it because I didn't have tweezers on hand.
Less than 12 hours later, I'm home, I have a headache, my insides feel kinda weird (cramps, some gas, definitely felt like I was gonna have diarrhea), and my appetite is basically gone. I take allergy meds, tylenol, and drink water thinking maybe I was just dehydrated. The meds did not help.
It's Sunday now. The bite is now visible and is this teeny pink spot with what might be a head (not tick head, I'm pretty confident I got that out, best comparison is a herpes sore but super small).
Should I go to urgent care, or call my primary tomorrow? Is it okay if I choose to wait it out and see if maybe I have a cold? I have only been in close contract with three people over the last two weeks, everyone else in passing outdoors, and none of them feel ill.

After a 1940 defined by gathering strengths and refinement across the feature, the early months of 1941 bring a few troubling portents behind-the-scenes for Fox's affectionately termed Grainy Gladiator. Nothing ruinous in itself, but signs of an upcoming radical shift away from what the character represented to start.
For one, the April issue of Adventure Comics (#61) brings with it a new cover feature, Ted Knight AKA Starman, courtesy writer-artist Jack Burnley. Already the second lengthiest entry in the book at nine pages, Starman quickly managed what neither Sandman nor Hourman could during their respective years as star attractions and upgraded to a full thirteen pages by his third appearance in #63. For context, Sandman only went from six pages to ten with its upgrade, while Hourman has remained rockstaedy at eight pages, and neither took down another non-superhero supporting feature to justify the page increase like Starman did Barry O'Neil and Mark Lansing. Moreover, from Starman's second appearance on, he is only drawn by Burnley; writing duties now belong to the Sandman's own Gardner Fox.
Which loops in with two other issues at play over Wesley's tossing, turning figure. Starting with issue #61, available online sources no longer fully agree who wrote what for the Sandman feature. You must understand, outside superstar figures with major pull like the creators of Superman or Batman, very few creative teams are properly credited in these Golden Age comics - my credits the last few posts have all been crossreferenced across numerous wikis and databases who owe their credits to investigative work by fans like Jerry Bails back in the 1960s. Such work was sadly not exhaustive, and while a few places (like DC Continuity Project and Wikipedia) state or else imply Fox stayed on as writer for the next few issues, from June to November there is no consensus as to who penned the stories.
I shouldn't be surprised if Fox's involvement terminated with the March issue, for April also saw All-Star Comics shift its format slightly, with Fox writing all nine interior stories for the 64 page mag in addition to his duties on the longer Starman feature. Man would have to work double time to keep pace, even if Sandman didn't drop to eight pages with #62 in May. Either way, Fox is certainly gone following #64 in July, as that issue features the final story drawn by regular artist and co-creator Creig Flessel, who departs to work on Shining Knight later in the year. As I say, things are changing fast for Sandman, and not all changes seem necessarily for the better. Best, however, to take the stories on their own level before drawing any final conclusions!
^{Coverage note: This entry goes to July rather than June for the sake of my sanity. If I stopped midway through the year, I'd only need cover seven features here, but the back half of '41 would require coverage of eleven. A nine-nine split feels much more feasible.}

• ADVENTURE COMICS #58 (January)

Orchids of Doom - Gardner Fox, Creig Flessel, Chad Grothkopf

Once again, a socialite friend to Wes and Dian is at the center of a minor mystery with big implications - namely, how can Pedro Nogades, father to Carla, rightly claim he breeds otherwise purely wild orchids in captivity? Investigating as the Sandman, Wes and Dian find a dead man in the Nogades greenhouse with his head stripped to the bone, and in following another fellow who sniffed an orchid before promising a shipment of such to some ruffians on the bad side of town, see his own face dissolve to bare skull. A visit to the police chemist reveals the orchids on the dead men's persons were laced to release a deadly flesh-eating gas on exposure to natural air, which is enough probably cause for Wesley to enlist Carla's boyfriend Bill in staging a raid on the Nogades manor. Some close shaves and fisticuffs end with the group discovering a diorama of the local coast, laid out to assist enemy agents in an invasion. Pedro is put away and the orchids revealed as concealing microfilm copies of the coastal plans, but how do we square the mystery that started it all? Simple: Nogades was no botanist, and called the flower by the wrong name when concocting his cover story!
An alright yarn to kick of the calendar year. As per usual when Fox tries for a somewhat complicated mystery, he's no adequate means of tying off loose ends other than large blocks of text, but it's lively and keeps the situation evolving with decent justifications for mid-story action and dragging Bill along for further fisticuffs. Hooking the entire mystery on, "Oh, the bad guy misspoke," is a tad lame, if understandable in the context of Fox's passion for slipping general knowledge flexes into his stories. Flessel and Grothkopf get some good mileage out've the skull imagery that crops up whenever the flower kills, and I rather like the brief bout of fisticuffs towards the end. The minor social awkwardness when Bill gets in the car with Wes and Dian is pretty good too, and I'm sorry to report I can't add this story to the "Wesley getting shot" count, as the bad guy only plugs his hat. Kinda funny having a Golden Age Sandman story involving orchids given Neil's own pre-Sandman work with Black Orchid, innit?

• ADVENTURE COMICS #59 (February)

The Story of the Flaming Ruby - Fox, Flessel, Grothkopf

There exists a ruby of blazing red, which has driven men to rage and madness wherever it appears, and today it sits in the hand of a young man in the local jeweler's shop, who flashes it cross Dian's vision. Later in the evening, she wakes in a trance consumed with the urge to kill her father, stopped only by Sandman as he rushes in from investigating a similarly queer case. A bank teller friend from his private life has found himself driven to steal from the vault and deliver it to some crooks on a lonely road every night, all after one of those men flashed him the ruby. Wes and Dian are unable to stop this night's transaction (on account of the ruby briefly turning Dian against Sandman), but seeing the gem in action gives Wes an idea on how to counteract its effects, and go into battle during the next drop armed with blue cobalt glasses. A brawl puts down all the blackmailers except one, but Wes opts instead to go after the head of the operation, knocking him out and lurking in the dark to catch the last as he reports in, revealing the bank teller! Turns out the ruby DOES have hypnotic properties and was used to assist their robberies, but the teller - hoping by playing at the victim to lure Sandman into his cohorts' midst and rub him out - spoke as if he remembered the whole experience, where Dian forgot herself on every exposure. Oops!
Same basic mystery structure and resolution type here as last month, complete with overly-wordy explanation, although I find the hook of pitting Dian and Wesley against one another gives it a minor leg up, as does the relatively straightforward nature of the criminal operation compared to planting microfilm in deadly flowers. There's a more even balance between the rush in bust 'em up style of crime-fighting the feature has developed and the stealthy skullduggery I think suits the character best, with nice action art to match each. Dian has some silly faces whenever she wakes from her hypnosis, and the four panel sequence of Wes halting her murder attempt works pretty well. This is, unfortunately, the final pencil-inking collaboration between Flessel and Grothkopf, and much as I've kvetched over the second man's solo work, I'm sorry to see the back of him in this capacity. When the two were in proper tune, they were the best artistic team Sandman enjoyed yet.
(Stop dodging bullets, I want to see you gunshot.)

• ADVENTURE COMICS #60 (March)

Mystery at Malay Mac's - Fox, Grothkopf

^{Hey, a rare post-Hourman, pre-redesign cover appearance! That's always nice. "Hello, officer? Yeah, coupla chucklefucks right here, the alley off Fourth, can't miss 'em."}
What's this? Dian breaking into a notorious criminal slumlord's safe in the bad part of town? A safe, as Wes discovers after he scares the lady off, filled to the brim with poison gas! Evidently not, as Dian is sound asleep when Wes arrives at Belmont manor to investigate, and a subsequent visit to Mister Mac reveals the only person who'd know the safe was booby-trapped is a local kidnapping organizer. Some blind, flailing fists turns up the girl, Dian's perfect duplicate, snatched from out of state to replace Dian and gain leverage over the cops. Too bad the kidnapper's made of strong stuff, knocking out Sandman and taking both woman for a ride to get back at Mac. Fortunately, Dian leaves Wes a trail of jewelry out the window, enabling him to follow and take down all the crooks with one throw of his gas pistol, revealing in the process 'twas Mac himself who tipped Dian's duplicate to his safe, in hopes of spoiling his rival's big plot.
Art-wise, this is probably Grothkopf's best work for Sandman to date. His tendency to exaggerate is translated into some properly goonish faces for the villains and really, really strong action poses, with some properly atmospheric shots sprinkled in for good measure. He cannot draw the gasmask for piss, but there's such an improvement I almost thought this was a Flessel joint before checking the wiki credits. Makes me wish we could see what he'd do if he kept on as a solo artist - free from the impulse to treat the feature as a cartoon, he produces damn fine work. As a story, this makes good time to mention my misgivings with Wesley's tendency to burst through windows and start swinging long before he thinks to use his sleeping gas. While it's great fun to describe and hype up as the mark of a madman who's even cooler as the badass normal than Batman, it also encourages a faster degradation in the character's identity. I'm sure you'll notice it's been yonks since lurking in the shadows and thinning the ranks by knocking them out in advance has factored into the stories. That Wes handles the bad guy by literally clonking him over the head with the gas gun rather than pulling the trigger speaks to the influence other, punchier superhero features have exerted over the strip.

• ADVENTURE COMICS #61 (April)

The Menace of the Metal Gun - Fox?, Flessel

From aboard a mysterious aircraft, a madman fires upon the city with a metal-melting ray that dissolves the skyscrapers into slag! Alerted to Doctor Borloff's activities, Wesley meets with swift defeat when the rogue scientist melts his gas gun and escapes in his cylindercraft to terrorize afresh. There IS a bright side, as seeing the ray firsthand gives Wesley some idea how to counteract its effects, and he sends Dian and her father warning for the local airforce to coat their planes in sand as a silicate buffer against the ray. Alas, only one officer heeds his message, leaving Sandman alone to get aboard the machine via his new wirepoon gun and defeat Borloff from within. For his brawling process, a good midflight fight is nothing if the hero gets tossed out an open door, but fortunately he can grapple onto the lone surviving plane, recover his bearings, zip back up, and put a stop to Borloff's dreams of world conquest once and for all!
Action is the name of the game here, and even without Grothkopf's inking enhancements, I think Flessel does a fine job on his own. I'm wary of the wirepoon in the future, as by year's end it will completely replace the gas gun as Sandman's sidearm of choice in further drift from the original Christman concept, but taken as a neutral in its debut, giving Sandman greater aerial mobility does lead to some cool shots and enhance the sense Wes goes stark bananas in the mask by pulling some stunts that would almost certainly pull his arms from their sockets in real life. There are, however, some particularly stiff action shots, and in one panel Flessel cocks up the design on the mask worse than Grothkopf last ish. Based on the opening vignette, Borloff decimated millions of innocent lives in addition to all the planes he melted out of the sky, making him easily the deadliest foe Wes has faced to date, and in turn making the "We did it, gang, everything is bright and peachy again!" ending sorta offputting. They'll have to organize mass funerals tomorrow, Wes. Show a little respect.

• ALL-STAR COMICS #4 (April)

For America and Democracy: The Grey Shirts - Fox, Grothkopf

In the top-level story, the JSA learn of their mission for the FBI: a group of Nazi insurgents known as the Grey Shirts are plotting subversive and destructive activities all across America, and are now posed to badly destabilize the nation in a series of disruptive attacks. Each is assigned a mission at critical points cross the nation, though given the widely-ranging disparity in their powers, their usefulness to the cause varies equally wildly. The Atom humiliates some goons spreading Nazi ideology at a single college, Hawkman barely prevents the destruction of an aviation plant in California, and Hourman's defense of an Oklahoma oil field ends with him toppling one of the oil towers to stop his quarry. Meanwhile, Green Lantern detonates a zeppelin secretly jamming radio transmissions nationwide, the Spectre casually annihilates some otherworldly vampiric globes sympathetic to Hitler's cause, and Doctor Fate uses his magic to out every single spy on the eastern seaboard. Uneven efforts or not, the group converge on the Grey Shirts' ringleader, and with a little help from Johnny Thunder, turn him over to good ol' J. Edgar Hoover's custody. Alas, Wesley does not get the blood he's thirsting after.
(Also Doctor Fate alerts Wesley to the identity and location of the ringleader before his mission starts rather than letting him figure it out on his own like everyone else. Prick.)
For his six-page leg of the assignment, the Sandman is off to El Paso, Texas to assist a local newspaper under threat from the Grey Shirts for printing pro-democracy and anti-Hitler editorials. Of course, this being Wesley Dodds on the job, he gets this information by roughing his way into the newspaper offices, then acts on it by beating on the guard at the Grey Shirts' camp and pounding down a band of brainwashed young men to prove he's a better American than them. After sending the wannabe Nazis for a whirl by running their bomb shipment off the road, Wesley doubles back to completely break the recruits' spirits, daring them to prove their hard enough by shooting an unarmed man in Hitler's name, chiefly himself. When none can cut the mustard, he marches them back into town with collars strapped to his car, and inspires the lot to join the Army to a few shirtless bars of "God Bless America."
Cripes but jingoism produces some heady results, doesn't it? I'm not sure I can rightly condone the ridiculous levels of patriotism on display here, even against such classically anti-American enemies as Nazis, yet at the same time, look at this and tell me it isn't the hardest shit you'll see all week. Again, though I've my misgivings about Wes as a brawler no matter how entertaining the results prove, there's something endearing about him being so raring for a fight his first move is to altercate the receptionist at the place he's assigned to defend. On the whole, Grothkopf's final Sandman contribution also shows refinement from his earlier works, the broader, thicker elements of his linework now tempers on a somewhat more grounded approach. Certainly the Sandman himself keeps a consistent look better than he does in any other issue published thus far this year. I DO notice he reused Flessel's design for the District Attorney wholesale on the newspaper publisher. Since he's going and heading out on a job well done, let's not hold it against him, eh?

• ADVENTURE COMICS #62 (May)

The Purple Death Ray - Fox?, Flessel

At the nightly planetarium show, a member of the audience screams and falls down dead, stricken by a litany of strange symptoms with no obvious cause. Wesley, believing the man was killed by a death ray, examines the auditorium's projector, only to find no obvious alterations or fault. Undeterred, he purchases himself a seat next to the murdered man's for the next show, which is now occupied by another fellow who received a last-second courtesy invitation. Acting quickly, the Sandman reexamines the projector from the shadows and finds a replacement bulb screwed into the socket pointed directly at the man's chair. With assistance from his wirepoon, Sandman swings down and wrenches the man from his seat just as the show starts, the bulb bathing his seat in deadly radiation. On learning the man is a former judge and the deceased a former DA, it's not long before Wes ferrets out the killer; it's the cashier, a former scientist sent to jail for misappropriating university funds years ago, out for revenge and now stopped cold.
See, while I'm skeptical about the growing presence of science-fiction elements in the series, they make fine fodder when they play to Sandman's strengths. Lurking high above a crowd of people seeking the answer to some deadly mystery is exactly Wes' bag, and plus or minus some strange mask drawings, Flessel captures that thrill of closely examining a big deadly machine in secret before it fires. I'd submit the page where Sandman saves the judge from the beam as an easy contender for best of the year thus far, and the shot where [Wes pushes Dian away from the killer's bullet](blob:https://imgur.com/7247f414-8a57-489f-a9bd-d85bc9e19a6a) is another fine piece of work. My memories of this one before sitting down to reread and write were a lot chillier, probably because I wish the series remained in crime pulp rather than raygun pulp, but a good outcome is a good outcome. Seriously, though, why is the mask going so bobble-eyed of late?

• ADVENTURE COMICS #63 (June)

The Voodoo Sorcerer - ???, Flessel

As Dian and Wesley tiff over his interest in an exotic dancer they know through a mutual friend, the woman's tail-lashing dance is interrupted when she sees a great glowing triangle materialize before her eyes. With the shock straining her bad heart, the Sandman brings her to boyfriend's house, where he reveals the triangle is a voodoo witch doctor's means of accusing someone of murder - just as news comes over the wire that the man the woman lashed with her costume tail has died! Smelling a rat, Wes rushes to the scene of the crime to find the taile barbed with poison quills, only for the titular sorcerer to bumrush him out the window. It's a big misunderstanding, thankfully: he's as shocked by the murder as Sandman, and only summoned the triangle on suggestion from an acquaintance, forgetting the dancer would know its significance through her partner. By happiest coincidence, this provides Wesley the solution to the mystery right quick, for only his friend's chauffeur would have motive, opportunity, and knowledge to frame his employers and their associates for the murder of a stock broker who owed them money.
Hmm, ah, see, on the one hand, it IS nice that the voodoo guy is innocent of everything except a lapse in judgement and the real twist is an unassuming little man exploiting the mystery and fears around his craft to cast suspicion off his person. On the other hand, eek, yike, zoinks! None good. Bad, even. Outside unfortunate depictions of non-white persons from the 1940s, the story's pretty weak for a murder mystery, as numerous elements are evidently known to the characters well in advance, yet only made clear to the reader right before they become relevant, like the exact identity of the murdered man. It's only eight pages, so there's little opportunity to piece information together on your own time, and as such it is heavily reliant on narrative cheats to generate cheap surprise. About the best thing here is the big page-dominating panel of Wesley swinging through the city on his wirepoon, unconscious woman tucked under arm. Kinda hard to convincingly raise my dander about what it means for the character and his feature when it's successfully operating on the long-standing principle of "masked mystery men swinging on a wire through skyscrapers looks really cool." S'like a solid fifth of the formula behind why Spider-Man is so enduringly popular.
(Also not a big fan of how Wes dismisses Dian from participating in the case without any adequate reason why. She calls him out over it, even, and nothing in the story justifies his decision to fly solo on this one.)

• ADVENTURE COMICS #64 (July)

The Unseen Man - ???, Flessel

Dian's purchase of paints from a local hobby shop includes quite the unusual accidental item: a paint that turns anything and everything invisible on contact. Determined to solve this mystery on her own, Dian investigates the shop with the dealer's cooperation, only for the dread Unseen Man to get the drop on her. Fortunately, Sandman is there to save her because he won't let Dian do anything on her own; unfortunately, Dian doesn't know Wes can see her attacker through his blue cobalt lenses and pulls him away, thinking him mad and letting the Unseen Man go free. As reward for her screw up, she's targeted in her home the next night, only for Wes to barge in again, having anticipated the only possible secret identity for the crook would make him likely to strike back at Dian. It is, unsurprisingly, the hobby shop owner, who Wes turns over to the police before heading out to patent his invisibility paint with the United States Army.
Alright, it's definitely not Gardner Fox writing anymore, because I cannot imagine Fox treating Dian so poorly. I gave her some dignity in summary, but this story is plain dumping all over her as a fussy, incompetent tryhard who fails at investigating on her own on account her womanly ways. Just look at the sheer antagonism between her and Wes; you two are partners, she's saved Sandman's skin like a dozen times, worn his costume and wielded his gas gun to do it once, even! Don't try to BS me into thinking Wes would run this paternalist "let me handle it, Dian, I wear the pants in this relationship" crap on her. You're only alive because she's worn your fucking pants. Otherwise, 'nother instance where the story and art alike don't give me much of note. I reckon Flessel was about done with the series with Fox gone and sorta phoned in his last few assignments. They're nowhere near the standard of his early solo artistic duties on the title. There IS another good wirepoon swinging shot, if one counterbalanced by a crummier instance with yet another weirdly-proportioned mask.

• ALL-STAR COMICS #5

The Mysterious Mr. X: The Kidnapper's Union - Fox, Cliff Young

The Justice Society are bored. Bored, bored, bored. Why are they bored? There is no crime. Not a single ruffian or scoundrel or roughneck lawbreaker anywhere in the city! Where did crime go? Crime has taken an enforced vacation, courtesy the plans of big crime boss Mister X (hats off), as prelude to his big plans for taking out the JSA and putting all his criminal enterprises back on easy street. It's quite the collection of rackets out against the superheroes - an arsonist ring for Flash, a jewel snatching gang for Hawkman, leader of the phony fortune teller underworld against Doctor Fate, even hard-pressing gym membership shakedowns for the Atom! Naturally our heroes triumph, though every one also encounters a strange little man idly strolling through their battlegrounds. He's so omnipresent despite his mousiness, he's even there when they convene at the police station to organize Mister X's (hats off) arrest. Except this unassuming slip of a man? He IS Mister X (hats off), and with the Justice Society having taken all the fun out've crime, he's turning himself in to live comfortably on the state's dollar in jail. WHOOPSY-DOODLE!
For his six-page part in the game, Sandman must contend against the kidnapper's union, who naturally enough have abducted Dian to get his attention. Not only have these lowlives taken Dian hostage (though she doesn't particularly mind), they've taken out phony accident insurance claims against themselves should the hero injure any of them en route to his untimely death! Nobody quite expects Wes to avoid the sniper-guarded roads to their remote hilltop hideout, though, and a quick wirepoon swing over the canyon (complete with Mister X - hats off - sighting) puts him right in the criminal den. From there, it's a simple biff wham boom to take down the punks and disarm their supporting fire. Alas, Sandman is once again only in the loop on the true nature of the threat against the JSA because someone notifies him from their own investigation, this time Flash via telegram. Let him do his own detective work, you pricks!
Right. You see these panels? You see Dian being calm and collected in the midst of a kidnapping operation? You see Wes trusting her with a submachine gun to keep watch on the fools who mean them harm? Yeah, THAT'S Fox writing Dian. Whoever's writing the Adventure feature at this time ought've taken notes. Artistically, Young makes a fine replacement for Grothkopf and Flessel in Adventure - he can match the first for goons, the second for action, manages a nice turnaround effect before Wes swings on his wirepoon, and even gives us a by-now all-too-rare heavy shadow shot on Wes and Dian. I'm a big fan of the lead kidnapper who calls the JSA the "Justiss Sassiety," and find this instance of Mister X (hats off) the second best in the book, behind only his appearance in the Hourman story, which I think speaks for itself. Probably the only time I'll express preference for something Hourman related over Sandman.
The loss of all three major contributors to the Sandman feature across early 1941 and the crunch down to eight pages has certainly made the Adventure Comics side of the Sandman line a rockier experience. It's still possible to derive enjoyment from the wonky mysteries and higher-concept criminals, but one must accept atmosphere and and particularity have been near-entirely sacrificed for generalized bombast and louder appeal. Don't misunderstand, I've become a fan of Wesley Dodds, Fist-Swinging Bullet Sponge, and my past praises for him aren't diminished by the realization of what this has done to his integrity as a character circa today's stopping point. The trouble is, while I enjoy this half-mad, impossibly reckless read on the character, it simply no longer bears any resemblance to the early days' lurking and creeping through the seedier parts of town. There's a great series of justifications running through the Sandman concept - he's no powers, so he uses the gas gun, so he needs the gas mask, which hides his identity so perfectly it frees him to wear the ordinary business suit, which highlights his vulnerability. Fling him around like a ragdoll who knows no fear of injury or death, although I'll clap for the bravado of it all, I must object if it means any notion he should be sneaky or cautious degrades.
Especially if it means the gas gun vanishes from the character. It hasn't met its final end just yet, but for this seven month block it's proven a very perfunctory aspect of the strip, hung by his side and occasionally brandished without acting as an integral part of the action or storytelling. The wirepoon has subsumed its function as the sidearm, and while I must stress there are plenty aces shots of Wes swinging that fully justify its prominence, taking precedence over the thing that makes him the Sandman, Crimefighter What Fights Crime By Putting The Criminals To Sleep plain rubs me the wrong way. Be awful nice i we could have both without the new toy putting the old out to pasture, y'know? It's not led to anything I'd full-throatedly object over just yet, but... ach, you'll see next time. Speaking of...
Next time! 1941 comes to a close as Wesley picks up another feature to his name, and also a stupid, ugly new costume!
(Previous write-ups: 1939, 1940 pt 1, 1940 pt 2)

Dallas Wings vs Chicago Sky

Game Information

TIME	MEDIA	Location	Broadcast
Eastern: 6:00PM	Game Preview WNBA.com	Wintrust Arena	US: NBA TV / WNBA League Pass
Central: 5:00PM	ESPN Box Score	Chicago, IL	Canada: Unknown
Mountain: 4:00PM	WNBA League Pass
Pacific: 3:00PM

Road Team

Dallas Wings

Team Homepage	Team Roster & Coaching Staff
Social Media	Local Television & Broadcast
Twitter	Bally Sports South West
Instagram
Youtube

Home Team

Chicago Sky

Team Homepage	Team Roster & Coaching Staff
Social Media	Local Television & Broadcast
Twitter	The U (Chicago)
Instagram	Marquee Sports Network
Youtube

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I created a lifeform for an alien wizard's familiar in Pathfinder meant to use the statblock of a pig while having cephalopod-like traits, and realized I thought it sounded fairly plausible as a lifeform. Now I'm trying to flesh it out as an actual spec-evo project and figured I could use some help.
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Republican commisioner rubber stamping insane increases by making them look reasonable. Insurances companies ask to 30-80% increases and he "negotiates" them down to 10-20% increases to make them look reasonable.
They got their voters distracted with gays and guns and robbing everyone in broad daylight. This state is fucked

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